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Baker, Nicholson Size of Thoughts:, The: Essays and Other Lumber Random House March 19, 1996 0-679-43932-3 / 9780679439325 1st Edition Hardcover Fine/Fine A highly collectible first edition (as stated)price clipped, protected in a new brodart wrapper. Novelist and essayist Nicholson Baker has had a small but well-deserved cult following since his first book, The Mezzanine, and the publication of the literary sex-bomb Vox saw his popularity mushroom. Baker's great gift is a precision of observational detail that has a peculiarly incisive effect on a reader's consciousness. Here is over a decade's worth of his essays and articles, including the much-praised card catalogue article first published in the New Yorker. The Size of Thoughts, through its varied forays into the realms of the overlooked, the underfunded, and the wrongfully scrapped, is a funny and thought-provoking book by one of the most distinctive stylists and thinkers of our time. Price:
1500.00 JPY
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Baker, Nicholson The Everlasting Story of Nory: A Novel Random House 1998 0-679-43933-1 / 9780679439332 1st Edition Hardcover Near Fine/Near Fine A tight clean first edition (as stated)protected in a new brodart wrapper. Sex and the adult cerebellum have tended to be Nicholson Baker's cherished subjects, and not necessarily in that order. In The Everlasting Story of N ory, however, he turns his literary microscopy in an entirely new directio n, exploring the consciousness of a child. Nory, we are told, "was a nine- year-old girl from America with straight brown bangs and brown eyes. She w as interested in dentistry or being a paper engineer when she grew up." Th is future dentist or paper engineer is also ensconced for a year in the En glish town of Threll, where her family is taking a sabbatical from life in Palo Alto. Baker's novel is endearing, entertaining, and most of all, accurate. The author recognizes that an authentic nine-year-old is incapable of long, intricate narratives, so he divides Nory's story into short (and comically abrupt) chapters. He never credits Nory with precocious wisdom or insight. Instead, Baker concentrates on exactly how a nine-year-old mind works. There is, for instance, that wonderful literalism, which subjects a cliché to strict, heartbreaking scrutiny: "Nory suspected that the straw that broke the camel's back was an unsensible idea anyway, because first of all, stop and think of that poor camel. How could it happen? Doesn't he have something to say about the situation? Also, camels' backs are pretty strong things. If you've ridden on them, you know that they can support at least two people, if not three." Price:
500.00 JPY
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Baker, Nicholson The Fermata Vintage January 24, 199 0-679-75933-6 / 9780679759331 Paperback Good The Fermata is the most risky of Nicholson Baker's emotional histories. His narrator, Arno Strine, is a 35-year-old office temp who is writing his aut obiography. "It's harder than I thought!" he admits. His "Fold-powers" are easier; he can stop the world and use it as his own pleasure ground. Arno u ses this gift not for evil or material gain (he would feel guilty about ste aling), though he does undress a good number of women and momentarily place them in compromising positions--always, in his view, with respect and love . Anyone who can stop time and refer in self-delight to his "chronanisms" c an't be all bad! Like Baker's other books, The Fermata gains little from sy nopsis. The pleasure is literally in the text. What's memorable is less the sex and the sex toys (including the "Monasticon," in the shape of a monk h olding a vibrating manuscript) than Arno's wistful recollections of intimac y: the noise, for instance, of his ex-girlfriend's nail clipper, "which I l istened to in bed as some listen to real birdsong." Price:
350.00 JPY
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BAKER, NICHOLSON U and I : A True Story Vintage February 4, 199 0-679-73575-5 / 9780679735755 Paperback Very Good Nicholson Baker is most famous for Vox, the phone-sex novel Monica Lewinsky gave President Clinton, but the vastly superior U and I contains Baker's o wn dirty little secret: an obsession with John Updike. Not since Salieri in Peter Shaffer's Amadeus has one man's genius so publicly tormented another . Baker's ambition is a naked thing shivering with sensitivity, like a snai l bereft of its shell. Yet his book about himself thinking about Updike is as hilariously self-knowing as it is excruciatingly sincere. And Baker is n ot mad (not quite). He does have a few things in common with his idol: fict ion precociously published in The New Yorker, psoriasis, insomnia, a keen e ye for everyday minutiae, and a mischievously felicitous prose style. He is , however, funnier. Hunting for Updike at The Atlantic's 125th anniversary party, he gets brutally snubbed by Miss Manners--U and I is a fine comedy o f literary manners--and cheers up when Tim O'Brien chats with him. But when O'Brien mentions that he golfs with Updike, Baker is hurt: It didn't matter that I hadn't written a book that had won a National Book Award, hadn't written a book of any kind, and didn't know how to golf: sti ll, I felt strongly that Updike should have asked me and not Tim O'Brien. He justifies this reaction with a remarkably intricate series of associations between his life and Updike's, starting with the major impact a golf joke in an Updike essay once had on him. When Baker reads in the paper that his local cops offer to X-ray kids' candy for razors, he plausibly imagines the droll "Talk of the Town" piece Updike might have spun from the item, glumly noting th Price:
650.00 JPY
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